Hey guys,
I’m sorry if I’m bogarting the blog. Please offer any feedback about this piece that is completely consuming me. Hope you’re all well,
JP
The American, Michael Edward Freedham, is sitting down in a comfortable chair at Café Las Quilles. There is the pretty waitress, his fifth cup of coffee now blood-warm before him, the bar and the little percolator working and the fat bartender with the pencil moustache bored and staring out at the organ man. There’s a feeling of summery drowsiness but it’s December. He’s come to the city of Abaixado at the rainy part of the year, right before the disbanding of the police.
In Chicago the winter is too much, all of the snow is businesslike and in stony piles. When it melts the soil underneath is raw like a wound. In Abaixado, warm rain has been falling. There are rainbows.
Two months ago, just after Michael arrived, the police were disbanded. The air felt too close that day and Gilson Cabral had been shot. Michael couldn’t always understand the television news and he still isn’t sure what happened. He thinks the thing about Cabral is that he was what in English you would call a “ring leader.” He was the head of one of the striking trade unions. Dead on television, his plaid shirt was pulled away from his neck and there were the scarlet, neat little holes on his chest and shoulders. He was handsome, even so.
For obscure reasons, the police were disbanded shortly after the death of Cabral.
The mayor of the city is Ulíses Días, a muchacho muy alto with plasticine good looks, and he has denied involvement. Michael the American, who didn’t catch every word, could tell the mayor was lying on TV.
For some reason, the striking trade unions were joined about a month ago by the teachers and the farmers, who came down from the mountains. And then by the student groups in their multifarious ideological permutations. The revolutionaries occupied the square by the Eglisa Santo Domingo and demanded the resignation of the all members of the ORP party from governing posts around the state, including and especially the post of mayor of Ciudad Abaixado.
Every few days an assembly is held and one of the revolutionaries gives the balled fist salute to his companeros and shouts things angrily into a microphone. Michael listens to them but can’t always follow — the revolutionaries scream about the superhighway being constructed across the isthmus, about the oil in the mountains, about the sudden and strange exodus of all of the corn farmers from the state of Abaixado. Michael the American only understands what he sees: there are 10,000 of them in the streets and they seem very upset.
Every few days they do this and now Michael Freedham has been in Ciudad Abaixado a while and he has settled down some: his days have taken on structure and shape. The mornings come and he yawns in the little hotel room, he fingers the curlicued hair below his navel. He goes to his balcony and the heat of the day is on him and it is good.
After a shave, he goes to the little café by the ministerial plaza — Café “Las Quilles” — and he orders a plate of juevos flacos. They also have granola even though this is Mexico, and sometimes he eats granola. He stays at the cafe for the better part of the day. Out on the patio every day, the same man — he could pass for 17 or 30 — is under the awning, reading as though possessed by words. Rain or no rain. The man’s lips twitch as he reads, and sweat forms beads on his forehead and he flips the pages so fast that sometimes they tear under his fingers.
For Michael, there’s the night, which also has a kind of structure. There are Emily from Kansas City and Henry, from somewhere out east. There’s Aurelien the Quebecois, and there are Mr. House (a novelist) and Marcel, the poet who lives in a brothel in El Jicaro, and who only comes down every so often. They have a nickname for Michael; it’s “Chicago Mike.” All of them run reckless at the nighttime together. The revolutionaries have occupied the central square and light bonfires at the intersections and obstruct traffic. Sometimes late at night the revolutionaries will grab someone by the scruff of his neck and ask him what the hell is he doing around here? They never even look at Michael Edward Freedham.
When the bar closes Chicago Mike goes to bed and sleeps the sleep of the dead. He wakes up and begins anew. It is a cycle.
At this instant he’s at the point in the cycle where he’s sitting at his table at Las Quilles, as he has every day for the past two months. It’s juevos flacos today and not granola. He is trying to read Carson McCullers or something when he feels the unnameable sense of a body too near to him and a pair of eyes on the base of his skull. He looks up: it’s the man who is somewhere between the ages of 17 and 30, who reads rabidly under the awning facing the ministerial plaza everyday at Cafe Las Quilles.
“American?” he asks.
“Yes, I am.”
“Here for spring break?” he says with very good English. “You’re a long way from the beach.”
“It’s winter,” says Michael. “Besides, I don’t like beaches.”
“No?” He is looking at Michael with an entertained, not-quite-friendly look.
“I prefer mountains.”
The man considers this: “There are some in America, I think.”
“I prefer mountains, but I hate cold,” says Michael.
“Are you enjoying yourself?” says the man finally. The man has air like an oil slick over dark, soft eyes, and there are firm bones under the flesh that angle gently toward a certain kind of mouth. For no reason at all Michael thinks of a thing he’s seen the night before in his little hotel room: a cockroach dangling like an autumn leaf in a spider web.
Sometimes, people confer on one another really unnecessary amounts of intimacy—liquor is involved a lot of times. But Mike isn’t drunk. There is something about the dark eyes or the voice. So as he stands there at Michael’s table at Café Las Quilles, Michael tells the man like it is: how he has left the University in Chicago and that he isn’t any better off and no weight is lifted from him, here, now, in Mexico, just the same bits of the same old stories coming and going, creating something entirely new and yet completely old. He says that it is interesting to travel so many miles and discover that he hasn’t really gone anywhere. He is talking like thirsty men drink.
It has sort of surprised him, but he has been very unhappy all this time.
The trick, he explains, is to find yourself in bars with nothing to say, wondering if you should say something. To decide instead that you have nothing worth offering. You go to the bars with the other expatriates, who will try to engage you in speak about surfing or fútbol or, of course, The War. Eventually they start talking about Appalachian National Park—but you’ve never been. And you watch the conversation pull away much as you might watch ruefully the bus you just missed.
He continues: You must have a sad and alone look because the others start throwing you sidelong glances. You order another drink, quietly, with your tongue feeling too thick. Eventually Emily from Kansas City asks you if you’re feeling okay. You try to speak but now you’re too drunk even to talk. Henry from out east intones you’ve had too much to drink and you can only glare helplessly. You’ve heard and seen and felt all this before, only in Chicago. It’s warmer now, is all. Later on, you and Emily and Henry are walking to the hotel together when those two slip away wordlessly down Avenida Duruti, folding into one another. When you come to your small room in the hotel you collapse onto your bed realizing a mule can’t come back a horse, no matter how far he walks.
Michael finishes, suddenly breathless.
“So you’re unhappy?” There’s no judgment in the man’s words — they’re just a sort of clarification.
He wonders: “I am.”
“I’m making the same choice,” says the man. So they begin to talk.
And what is it that people find to talk about?
There is religion, for example. There is in this man almost a palpable sense of disdain for faith, and it runs deep like some chasm. For him, faith is a kind of pinnacle of unreason. Michael, though he’s always hoped against hope that Some Thing is watching out for all of us, can’t quite articulate why the lack of visible evidence of a God may not be reason to doubt His existence. But it is revealed later on that this stranger has never missed mass. Not once.
And politics, too. They talk about politics on this day. The man sees government as only the meddling of men in things that aren’t their business. Sometimes he spits on the sidewalk, he says, just because. As for the revolutionaries — well, it’s not that he disagrees with them, exactly. The man has a hard feeling in his heart when it comes to those people at the square by the Eglisa Santo Domingo: the problem is that they are all in so much agreement. All agreement, he contends, is false. And Michael agrees.
Books. Oh, God, there are so many books to discuss. Conrad and Carson McCullers and James Joyce and all the wonderful, delicious books to be read.
They talk for a long time. The pretty waitress leaves and is replaced by a fat, balding, middle-aged man with curly hair. They don’t order any food or coffee or anything. The thing is that they are two men and they are lonely and reasonably intelligent. So they are friends.
After a few hours, the man introduces himself: “I’m Bocanegra.”
“My name is Michael,” says the other one. There’s a pregnant quietude for a second or two. “Well, I guess I should clear out.” Bocanegra nods. Michael picks up the book he has been reading; it feels strange and light. He shakes Bocanegra’s hand, leaves whistling. He becomes happily drunk and talkative at the bar and sleeps with Emily from Kansas City.
The next day Bocanegra is there again, at his table with the coagulant dishes and his burnt, cold coffee. He looks up when Michael approaches and puts away the book he’s reading and his notebook. It occurs to Michael that Bocanegra has set time aside for his arrival. This day and the day after that and the days and days after that they speak for hours that slip by like rolling, green hills.
Only one day, Bocanegra isn’t at Café Las Quilles.