Pinko's Copies - a place for stuff to go so people can look at it
Wednesdays on the Coast with Pete
Posted in USSR November 25th, 2005 by flotSam

Wrote this for EL16, much like Sturgeon’s early Tobacco Shop/Farming pieces. Hope y’all dig.

Pete C. wants to make one thing very clear:

“When people hear bird-watching, they think ‘Oh, you’re gonna go out and see a pretty bird, and stare at it for like two hours, and then lollygag around.’ Well it’s actually pretty intense—you get a bird, then you’re like ‘Okay, let’s go get something else, let’s go see what we can find.’”

He expounds from behind the wheel of his late-model Oldsmobile, cruising along a pastoral road in Jamestown, RI. His friend Scott Winton occupies the passenger seat, staring idly out the window at the passing farmland. A Guns ‘N Roses song plays quietly from the stereo, and for most of the ride, Pete and Scott sit in comfortable silence.

Pete scrabbles for a set of Mapquest directions between the seats and glances at them as he drives. “I think we’re getting close—it should be this road up here on the right into Fort Getty,” he says hopefully.

A minute later, he hangs a right near sun-dappled Mackerel Cove onto a two-lane road with a wide grassy margin. Two cars are parked about a quarter mile down from the entrance, and four people stand in between the lanes with binoculars raised, looking intently into thick brush along the right side of the road.

“Holy crap, there it is!” shouts Pete, and slams the car into Park. He and Scott, both juniors at Brown, bound from the vehicle. They swing fragile binoculars haphazardly up and out of the back seat and hustle down to the little group, scanning the brush as they go for the hi-liter yellow flash of a Western Kingbird.

That’s the only reason Pete’s here in Jamestown on a Wednesday afternoon. He’s never seen a Western Kingbird, never “gotten” one, and he wants it. Badly.

Pete grunts with satisfaction when he spots it, about 200 ft. away, perched in a leafless tree. He focuses in on the bird with his binoculars.

“Scott, you see the coloring? The bright yellow breast, with the buff-colored neck? This guy’s from Texas. He must’ve been blown off course on the migration.”

The birders gathered at this spot have all been alerted by email of this unexpected presence thousands of miles away from its typical range in Texas. The Kingbird isn’t groundbreaking news, though: certain bird sightings can prompt avid birders from states as far away as California to jump on the fastest plane to Providence just so they can add another to their “life list.”

The Kingbird seems to enjoy its celebrity status. It takes wing, and flies toward the group, rising and falling in the stiff wind. When it lands on a tree limb directly above the road, everyone gasps in unison, except for Pete. He’s already running back to the car.

He returns with an expensive digital SLR camera with a foot-long lens and raises the unwieldy contraption to his eye. Stalking around the base of the tree, he sets his compact 5 ft. 9 in. frame like a bipod and squeezes off bursts of six shots at a time. “I know the camera seems really expensive—and it is—but in the five years I’ve had it I probably would have spent the same amount in film alone,” he says. “If I want to get the really good shots I need a wide margin of error. I could use a whole roll on one bird.”

Satisfied with his shots, Pete begins to get impatient. He’s ready to get going, down the road to the end of the peninsula, to get some Common Loons for Scott. This mentality defines “birders” from “bird-watchers.” A birder thinks a successful day is one in which they see 100-150 species of birds; a birdwatcher thinks a successful day is when they’ve seen lots of pretty birds in the great outdoors.

Pete’s been birding since he was 13. A friend of his grandfather’s named Hugh Willoughby, now 75, has been his mentor. They met playing tennis at the Kindbren Swim & Tennis Club in Riverside, RI. “He was still in pretty good shape, for an old guy,” says Pete.

As their friendship grew, Willoughby took Pete canoeing in local rivers and lakes. It was on these trips that Pete was first exposed to birding.

Willoughby, Brown class of 1953, has been birding for nearly his whole life, and helps edit a number of birding publications. He’s a retired teacher and devotes much of his time to birding.

These credentials made him an ideal mentor for Pete, who also got his high-school friend Tom hooked. The trio traveled to Texas, Arizona, Florida, and California in search of new species to add to their life lists. “I can walk around here and know what everything is, so it’s cool when you go to a new place, like California, and you can see new stuff everywhere.” says Pete.

In those early years, Pete was interested in adding as many birds to his life list as possible. When he wasn’t birding, he was reading the Audubon Guide to North American Birds to brush up on his male, female, and juvenile color patterns, or species’ seasonal ranges.

Once Pete had a solid base and a life count of about 300 birds, he began to get interested in nature photography. Over five years, Pete’s amassed an impressive array of tools. In his camera bag, he usually carries two camera bodies, five lenses, two tele-extenders, two sets of binoculars, a scope, a tripod, extra memory cards, and a cable release. Total value: $5200 on his back.

Pete’s life count has leveled off at 519 bird species. “There’s only about 1000 species in the USA. I’ve been at about 500 for the last two years or so, adding two or three a year.” Worldwide, there are more than 10,000 species—if he really wanted to boost his life count, he could go to Brazil and get 120 new birds in a day.

Few people realize the intensity of elite birders—when they’re outside they always know where the birds are, and can identify them unconsciously—“like colors,” as Pete says. There are celebrity birders, known for their stunning ability to discern bird-songs. “Paul Eamon, Mike Tucker, David Sibley—once you get that good it’s mainly hearing. They can pick up stuff that’s like six-tenths of a second long, flying overhead at night,” he says with awe.

A wealth of birding-specific merchandise is available to enthusiasts and there are numerous publications dedicated to the hobby, the largest of which (Birding Magazine) has a circulation of about 20,000. One of Pete’s recent shots of a Red-Necked Stint was accepted by the magazine, and will be published later this month.

“Birding’s really all about reputation—people can make up stuff, say they’ve seen a bird, and get caught. And their credibility just disappears,” says Pete. “There are some people who are no longer believed by anyone.”

Pete doesn’t seem to mind that birding isn’t a normal collegiate pursuit. “I don’t think there’s anyone at Brown who’s as involved. It’s a pretty uncommon thing to do,” he says. With Scott he’s started a 10-member Brown student group, called the “Brown Boobies,” devoted to the hobby. They try to get out at least once a week, and at meetings they watch nature documentaries devoted to birds and talk photography techniques.

Other than this atypical hobby, Pete’s a normal college student—he’s a Geology-Biology major, plays intramural sports and poker with the guys, and likes to have a few drinks on the weekends. But most Sunday mornings he’ll be up at 7 to ready his camera gear, hangover be damned.

After graduation, Pete hopes to follow his passion for birding into a full-time job leading birding tours. There are dozens of tourism outfits devoted to birding around the US and the world, and he aspires to be a guide for one. “I’d like to start a birding tourism company, because it’s pretty amazing—you can get paid to go around the country and take people birding. There’s a lot of money in the industry,” says Pete. “You just organize a trip and take people out to all the good places. And they pay you for it”

Pete squints into the oblique sunlight glancing off the turbulent Wednesday waves. He plants his feet, raises the Bausch & Lomb binoculars to his eyes, and squints again behind the rubber rims. He’s perched twenty feet above the pounding, angry surf, at the very edge of the point at Beavertail, looking 300 yards out to sea beyond a bounding buoy, and he looks steady as rock.

To a novice birder, the area he’s examining looks unremarkable. Through a $700 pair of binoculars, the scene becomes clearer.

Dozens of black shapes dot the heaving water. They rise and then disappear behind cresting waves. Pete scans the floating flock, and begins talking to himself.

“Ruddies, lots of Ruddy Ducks. I wish they were closer in, it’s hard to see them in the sun. There might be a life bird in there, you never know. Damn it.”

He lowers the binoculars and turns towards the craggy rock.

Time to move on.

buy nothing day event in providence
Posted in USSR November 23rd, 2005 by Sturgeon General

http://brown.dailyjolt.com/single_event.html?event_id=247000

well, no Buy Nothing Day posters went up on Thayer St. this year, but I did find this on the jolt. Nice that it’s taking place on the State House lawn. A coat is much warmer than a poster any day.

Installation outside the MCM building
Posted in USSR November 23rd, 2005 by Sturgeon General

By the Grand Canal
Posted in USSR November 23rd, 2005 by Tongue-tied Lightning

Everything enamored in that cool prevening glow, a gold eduction in which the gentle calm nature of each leaf, each grassblade, each molecule resting silently on unmoving water is brought forth and set to display regal and necessary and free, I sit and watch.

The din of passing cars behind, eyes closed, thinking that it could be anywhere right now, every city, every busy town-center street sounding the same at this time of day.

Around, the birds which circle, and then don’t, and then circle, because the cars underneath them are driving on a circle and make the birds want to circle, or at least because the cars circle the birds seem to do the same.

The woman edging hanging leaning over the edge of a bridge, she is tearing pieces of paper and throwing them in the water Amy says, she is either doing something symbolic or she’s not all there I say, she is smiling too we both notice, and as we pass underneath her, under the bridge next to the canal, she looks at us unsmiling and shaking her head no says “Are you watching, by any chance, are you watching?”

And earlier, we by chance watched as five magnificent white swans (what makes them any more aesthetically beautiful to us than any other bird? Amy had asked) suddenly took off. I watched them start, I said look. And we stopped and jaws dropped it was indeed that remarkable a sight that jaws dropped, and towards us over the other swans over the slow oozing water past us and along the canal abreast their wings were the width of the canal and we stared mouths open as they passed and they made a soft hum with their wings graceful constant motion they passed and five swans flew past us on the canal.

Going Diatribal
Posted in USSR November 10th, 2005 by flotSam

I quite like this analysis of the current state of college-student writing. It was written by one Justin Ouimette in a surly 5:30 AM email diatribe, and I feel no qualms about putting it on this blog. I hope he sees it and comments on it, in fact.

Here it is.

Beyond that fact, there are two main reasons why I don’t communicate with you all through email. The first is that I cannot stand the way our generation writes (Yes, it’s in passive voice. Yes, it’s supposed to be “way in which”. There’s probably a misplaced or deleted modifier somewhere. Fuck you.). The entire process of composition has been Dave Eggered to death; I find the self-referential, tongue-in-cheek, and undeservedly arrogant prose that dominates print media such as the New Yorker, the editorials of The Washington Post and the New York Times, and especially hipster cum rags like The Believer, to be very irritating. It’s as if the shadow of critical theory scared everyone back into Plato’s cave and the only safe statements one can make are cynical and so highly personally contingent that it’s not worth others’ time to read them. Does it sound like I’m taking a cheap shot at Marantz and Sam? I’m not, because I implicate myself in this gruesome phenomenon as well. We are the product of a generation that was allowed to write “thought pieces” and do “creative presentations” instead of essays in school and a new generation of readers is currently paying the price because a group of intellectuals decided that children have feelings, which as those of you who have raped one are aware, is simply not true. In short, I don’t write for you because I don’t want to subject you to a bunch of crap.

caged
Posted in USSR November 9th, 2005 by Sturgeon General

Silently, She walks
In a daze
Towards another project
Another goal
Working. Working to set deadlines
A lifetime full of missed opportunities
We swerve and crash into
Another meaningless job
Working to produce
Producing to consume
Consuming to work
As a society
As a member of this structure
Regardless Of morality
Of dreams cast into the dumpster
Work to consume
Live, breath, shit to have it all
Wrinkled and gray in your palace of junk,
Was it worth it?
what we choose is
Not a choice, but an accident
Who even believes a word they say?
Our pulse is the only truth
Sprawling towards the unknown
I pause and curl up
In your cozy body
Breath in your luscious scent
Forget what he and she said
Until I pick up my month-long suitcase
A traveling show
Onto the next money making
Mind bending
Stress inducing
Appetite of my life.

Cave Art
Posted in USSR November 8th, 2005 by Sturgeon General


Cave Art

Electric Sculpture
Posted in USSR November 8th, 2005 by Sturgeon General


Electric Sculpture

Observation
Posted in USSR November 8th, 2005 by flotSam

The CIT, Monday, November 7, 2005, 9:34 PM

Muffled conversation and softly closing doors are the only sounds in the high-ceilinged room. A pallet-load of plastic-wrapped phone books looms in a corner. Chairs litter the expansive carpeted floor.

A young woman exits the elevator and walks purposefully through the space, head down, books clutched tight beneath her chin. She rounds the corner of a thick, jutting wall, detects movement on her left, and turns, startled.

She confronts a mirror-image of herself.

Her face, rendered in grainy black and white, stares back at her, and jittery red letters bounce upon her shoulders.

Her expression is first one of disbelief, then embarassment, as she realizes that much of the room can see her larger-than-life image. The letters pile up on the top of her head. “CONVERSING” falls and fades along her silhouette as she backs away from the screen. She waves her arm, suspicious, and “turning around” appears in a neat diagonal with the movement. It floats, then falls gracefully.

She smiles.

When she leaves the picture, the words “as in your turning around” form an excited line above her head, then descend like fat snowflakes.

presuppository titles for a work of electric sculpture
Posted in USSR November 8th, 2005 by Sturgeon General

Television as the Co-Surveillant Enigma of Public Authenticity

Public Tele-vision and the Enigma of Mutual Surveillance

The Enigma of Total Coverage

The Enigma of Public Discourse

The Enigma of the Public I

The Enigma of the Electric Eye

The Enigma of the Electric Face

Prepubic Television as the Enigma of Domestic Transparency

Primal Television as the Enigma of Live Transmission

[Comments Welcomed]